Ut pictura hortus/ut theatrum hortus: Theatricality and French Picturesque Garden Theory (1771–95)
Identifieur interne : 000115 ( Main/Exploration ); précédent : 000114; suivant : 000116Ut pictura hortus/ut theatrum hortus: Theatricality and French Picturesque Garden Theory (1771–95)
Auteurs : Bram Van OostveldtSource :
- Art History [ 0141-6790 ] ; 2010-04.
English descriptors
- Teeft :
- Bathing susannah, Beholder, Bram, Carmontelle, Central theme, Charles joseph, Christian hirschfeld, Denis, Denis diderot, Diderot, Different scenes, Dixon hunt, Dramatic action, Dramatic conception, Eighteenth century, Elizabeth burns, Essai, Famous section, Fils naturel, Fourth wall, Garden design, Garden theory, Gardening, Great importance, Helmar schramm, Historisches museum, Horace walpole, Hortus, Hubert robert, Human action, Human life, Jacques philippe, Jardins, Johann georg sulzer, John dixon hunt, Jonas barish, Kunsthistorisches museum, Landscape painting, Ligne, Louis carrogis, Luigi riccoboni, Modern gardening, Monceau, Monique mosser, Moral justification, National museum, Naturalness, Naturel, Oostveldt, Parc, Parc monceau, Paul getty museum, Perspective pratique, Pictura, Pictura poesis, Pictura theatrum hortus, Picturesque, Picturesque garden, Picturesque garden theory, Picturesque gardens, Picturesque theory, Rebecca solnit, Richard sennett, Robert mauzi, Roland barthes, Salon, Second half, Serpentine paths, Social life, Soit donc, Spectatorship, Tableau, Tartar village, Theatrical performance, Theatrical scenes, Theatrical terms, Theatricality, Theatrum, Theatrum mundi, Thomas postlewait, Tracy davis, Unmediated access, Uvres, Vision andvisuality, Visuality, Watelet, Xviiie paris.
Url:
DOI: 10.1111/j.1467-8365.2010.00749.x
Affiliations:
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Le document en format XML
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